Served as Compositing Supervisor on Shōgun, leading the compositing team in delivering complex, effects-heavy sequences, including CG water, cannon fire, blood, and large-scale crowd and background extensions. Oversaw bluescreen composites, invisible cleanup, and editorial techniques such as split-screens and retimes, ensuring seamless integration across technically demanding shots. Established workflows and maintained visual consistency while managing high shot volume and production schedules.

Contributed to the series receiving the Primetime Emmy Award for Outstanding Special Visual Effects in a Season or Movie.